From: Subject: Mozart Was a Red by Murray N. Rothbard Date: Fri, 7 Aug 2009 23:16:31 +0200 MIME-Version: 1.0 Content-Type: multipart/related; type="text/html"; boundary="----=_NextPart_000_0000_01CA17B5.19528BC0" X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.5579 This is a multi-part message in MIME format. ------=_NextPart_000_0000_01CA17B5.19528BC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Content-Location: http://www.lewrockwell.com/rothbard/mozart.html Mozart Was a Red by Murray N. Rothbard

=20

Mozart Was a = Red
A Morality Play In One = Act

by Murray=20 N. Rothbard

This play was = written in the=20 early 1960s; Justin Raimondo wrote his commentary for the = Rothbard-Rockwe= ll=20 Report.

Introduction

"Mozart Was a Red" = is, to my=20 knowledge, Murray N. Rothbard's one and only play. It is a = form=20 unusual for him, but one well suited to its subject: the = cult that=20 grew up around the novelist Ayn Rand and flourished in the = 60s and=20 early 70s. For the principal figures of Rand's short-lived=20 "Objectivist" movement were indeed like characters out of = some=20 theatrical farce.

With=20 her flowing cape, intense eyes, and long cigarette holder, = Rand was=20 the very picture of eccentricity; she sometimes wore a = tricornered=20 hat, and at one point carried a gold-knobbed cane. Her thick = Russian=20 accent added to the exoticism. It is a measure of Rand's = powerful=20 personality =96 and the real key to understanding the Rand = cult =96=20 that, after a while, many of her leading followers began to = speak=20 with a noticeable accent, although each and every one of = them had=20 been born in North America.

This=20 Russification process was especially pronounced in Nathaniel = Branden, her leading disciple. Branden delivered his = lectures on the=20 "Basic Principles of Objectivism" in a sonorous singsong = voice with=20 a very definite Slavic undertone. Pompous, dogmatic, and = utterly=20 self-infatuated, Branden was the second-in-command and chief = enforcer of a cult that demanded total obedience and = agreement on=20 every conceivable subject =96 in the name of individualism. = Any=20 deviation from the Randian line =96 and they had a line on = everything=20 =96 was taken as evidence of "bad premises," and grounds for = expulsion=20 from the inner circle.

Murray's own = experience with=20 the Randians was a case in point. In the late 50s, Murray = and a=20 group of his libertarian friends in New York City became = interested=20 in the burgeoning Objectivist movement, which had taken off = as a=20 result of the success of Rand's novel, <= I>Atlas=20 Shrugged.

Murray wrote Rand a = letter=20 complimenting her on the novel, and soon joint meetings of = the=20 Randian "Senior Collective" and Rothbard's Circle Bastiat = were being=20 held. As advocates of laissez-faire capitalism, avowedly = committed=20 to the supremacy of reason, it seemed as if the Randians = would be=20 valuable allies.

But=20 the Randians did not understand the concept of "allies": in = their=20 universe, you either agreed with all of their positions, or = else you=20 were consigned to the Outer Darkness. (Curiously, on the = level of=20 macro-politics, the Randians were grossly opportunistic.)=20

The=20 Randian ideology was not so much an integrated philosophical = system=20 as a mythos, based as it was on Rand's novels. = Unfortunately, as she=20 got older, she imagined herself to be a philosopher, and = gave up=20 fiction writing to become the leader of a movement. =

In=20 her nonfiction tirades, Rand quotes mainly from her own = works; this=20 was due not only to her inflated self-estimate, but also to = a=20 colossal ignorance. She read almost nothing but detective = novels,=20 and her followers, usually considerably younger, were even = worse.=20 Although her philosophy of rational self-interest was an = eccentric=20 modern variation on a much older philosophical tradition, = the only=20 precedent she acknowledged was Aristotle.

While claiming not to = be=20 militant atheist =96 "It would be paying religion a = compliment it does=20 not deserve" =96 she denounced conservatives for their = devotion to=20 religion and tradition, dismissing them as "moth-eaten = mystics."=20

Religion was also the = main=20 issue in the events leading up to Murray's break with the = Randians:=20 although Murray was an agnostic, his wife, JoAnn, was (and = is) a=20 Presbyterian. Apprised of this, Rand grilled Joey on the = reasons for=20 her religious faith and suggested that she read a pamphlet = put out=20 by the Randians that "disproved" the existence of God. =

When=20 Joey refused to recant her heresy, Murray was told that he = had=20 better find himself a more "rational" mate. That was enough = for=20 Murray. The break was finalized by his formal "trial" held = by the=20 Randian Senior Collective, which Murray declined to attend.=20

Murray's real talent = as a=20 satirist comes through in his deft characterizations: in = Carson=20 Sand, the imperious author of The Brow of Zeus, = Murray has=20 Rand down to a tee. With one well-placed brushstroke =96 = "Jonathan's=20 nose was permanently tilted at a 45 degree angle from = horizontal" =96=20 Murray paints a vivid picture of cult leader Nathaniel = Branden. His=20 subtle portrayal of Rand's husband, the quiet, amiable, and = rather=20 intelligent Frank O'Connor, in the character of George, is=20 imaginative and structurally clever: at key points in the = drama, it=20 is George, always speaking quietly amid the grandiose = histrionics of=20 the others, who asks key questions of Keith Hackley, the = bewildered=20 neophyte, and moves the action along.

Here, then, is = "Mozart Was a=20 Red," which represents the lighter side of Murray Rothbard, = the side=20 that those of us who knew him will always treasure and=20 remember.

~ Justin=20 Raimondo

The = Play

SCENE:

The=20 living room of a modern luxury apartment on New York's upper = East=20 Side. The walls are a lush, tropical green. Sofa (c), = several=20 armchairs and sectional chairs (r) are all over-sized, so = designed=20 that no one can sit comfortably in them. Sitting back, no = one under=20 eight feet tall could place his feet on the floor. = Therefore, for=20 anyone in the room, there are only two alternatives: (a) to = sit=20 perched precariously on the edge of the sofa or chair, = clinging to=20 one of the arms for support, or (b) to curl up in it, feet = pressed=20 against thigh and upholstery.

To=20 CARSON SAND, owner of the apartment, this choice presents no = problem. She is now curled up in one of the sectionals (lc), = cigarette holder raised aloft. This is to symbolize mocking = contempt=20 of, and hostility toward, men, and therefore rationality and = high=20 romantic standards.

CARSON is a little = woman with=20 straight hair seeping down one side of her face. Her figure = can only=20 be described as protoplasmic, amorphous; her age, too, is=20 indeterminate, but is presumably in the fifties. She wears a = shapeless suit with military shoulders, in the height of = fashion=20 (Moscow, 1925). Her eyes are beady and intent, and when she = talks,=20 she is invariably curled up, ready to strike.

CARSON skyrocketed to = fame as=20 author on the basis of a novel, eagerly bought for its = graphic rape=20 scene. She believes its popularity demonstrates the mass = devotion to=20 her philosophical message.

Sitting at right, = also curled,=20 are her two disciples, JONATHAN and GRETA. They are in their = twenties but already stamped with the arrogance of their = patron.=20 JONATHAN's nose is permanently tilted at a 45-degree angle = from=20 horizontal and his straight brown hair is heightened in = front by a=20 blond bleach. GRETA is a pretty blonde, with dark skin and a = general=20 feline air. Although bearing no physical resemblance to = CARSON, she=20 also affects the same type of cigarette holder, and the same = brand=20 of tiny matches as the latter. She does not yet wield the = holder=20 with quite the same flourish .

On=20 sofa at extreme right, GEORGE KELLY lies sleeping. GEORGE is = tall=20 and thin, his once-handsome face permanently marked in an = expression=20 of great gentleness, languor, and boredom. GEORGE is = CARSON's=20 husband. At center back, is a deluxe = radio-phonograph-27-inch TV=20 set. Curled up in front of the set is a luxurious = black-and-grey=20 cat, ALFONSO III.

On=20 top of the mantelpiece (rc) next to the set is a framed = double=20 photograph of JONATHAN and GRETA, autographed to CARSON. =

GRETA has inscribed: = "Thank=20 you, CARSON, for giving me a round universe." JONATHAN = wrote,=20 archly: "To the woman with the beautiful cat."

Enter: KEITH = HACKLEY, a=20 pleasant, earnest, well-dressed young man of 25. Hackley, a = graduate=20 student in history, walks in hesitantly from left. GEORGE,=20 awakening, leaps to his feet, and approaches. =

GEORGE: Here, let me, = please.=20

GEORGE leads KEITH = into the=20 room.

GEORGE: Keith Hackley = =96=20 Jonathan, Greta, and...Carson Sand.

JONATHAN and GRETA = nod their=20 heads imperceptibly. CARSON extends her arm in a gesture of = welcome=20 and points to the sofa where KEITH sits down. GEORGE resumes = his=20 sleep at right.

CARSON (Speaking in a = strong=20 Russian accent, e.g., her "t"''s sound like "s"'s): Well, = Mr.=20 Hackley, I'm glad you could come.

KEITH: Thank you, ah=20 (hesitantly for is she Miss or Mrs....?) ...Miss Sand. = (After a=20 pause.) I'd like to tell you how pleased I am that you = wanted to see=20 me.

CARSON: Oh, Keith, = how could I=20 not ask you to come after sending me such a splendid letter = about my=20 novel?

KEITH: Oh, it was = really=20 nothing.

CARSON (annoyed): Oh? =

KEITH (a little = puzzled): I'd=20 like to say, though, Miss Sand, that your book was an = inspiration.=20 The Brow of Zeus was one of the finest novels I've = read in=20 years.

(Exclamations of = dismay and=20 disbelief from JONATHAN and GRETA. JONATHAN and GRETA, by = the way,=20 speak in a portentous sing-song with a trace of = Russian-Canadian=20 accent.)

GRETA (sharply): Mr. = Hackley,=20 did you say one of the finest novels?

KEITH (puzzled): = Why... yes.=20

JONATHAN (with = tightly=20 controlled rancor): Do you care to offer us the name of any = novel=20 you've read in years that even remotely compares to The = Brow of=20 Zeus?

KEITH (sweating): = Well =96 I =96=20 really don't...

JONATHAN: If there is = one thing=20 we cannot tolerate, Mr. Hackley, it is imprecision of = language. You=20 said one of the finest novels =96 what were the others? =

KEITH: Well, I =96 = Hemingway was=20 rather impress...

JONATHAN and GRETA = (in unison):=20 Hemingway! Good God! (then quickly):

JONATHAN: (in a low, = rapid=20 ritualistic mutter) Of course, you know that when we say = "God," we=20 do not imply agreement with the concept. We are merely using = the=20 term as a strong, idiomatic metaphor.

CARSON (keeping her = inner fury=20 in close rein): Oh, Keith, can't you see Hemingway's death = premises=20 in every line that man writes?

KEITH: Well, man's = struggle=20 against the bull, the moment of...

JONATHAN: Hemingway = is=20 anti-life, anti-mind, anti-reality.

CARSON (looking = fondly at=20 JONATHAN): Jonathan, Greta. Come, I think we should give Mr. = Hackley=20 more of a chance. After all, he is a lover of The Brow of = Zeus and that's a big plus.

GRETA: Yes, you're = right,=20 Carson.

JONATHAN: Of course, = Carson.=20

CARSON (turning to = KEITH):=20 Keith, would you like a cigarette? Here, this is a = particularly=20 rational brand.

KEITH (a bit = bemused):=20 "Rational...?" (A slight pause) Oh, I'm sorry, thank you. I = don't=20 smoke.

(Exclamations of = disapproval=20 from JONATHAN and GRETA.)

GRETA (lashing out): = You don't=20 smoke! Why not?

KEITH (taken back): = Well, uh...=20 because I don't like to.

CARSON (in = scarcely-controlled=20 fury): You don't like to! You permit your mere subjective = whims,=20 your feelings (this word said with utmost contempt) to stand = in the=20 way of reason and reality?

KEITH (sweating = again): But=20 surely, Miss Sand, what other possible grounds can you have = for=20 smoking than simply liking it?

(Expressions of = fury, dismay=20 from GRETA, JONATHAN, and CARSON, "Oh!", "Ah!", etc.)=20

JONATHAN (bounding = up): Mr.=20 Hackley, Carson Sand never, never does anything out of her=20 subjective feelings; only out of reason, which means: the = objective=20 nature of reality. You have grossly insulted this great = woman,=20 Carson Sand, you have abused her courtesy and her = hospitality. (sits=20 down)

KEITH: But. = ..but...what=20 possible reason can there be...?

CARSON: Mr. Hackley, = why are=20 you evading the self-evident fact? Smoking is a symbol of = the fire=20 in the mind, the fire of ideas. He who refuses to smoke is = therefore=20 an enemy of ideas and of the mind.

KEITH: Symbol? But = then a match=20 is even more of a symbol...

(Further = expressions of=20 fury, anger, exasperation.)

JONATHAN (bounding = up, crossing=20 over to KEITH): Enough! How dare you mock Carson Sand in = that=20 hooligan manner? You wouldn't mock God!

CARSON (once again in = tight=20 control): Wait, Jonathan, let us wait before passing final = judgment.=20 Perhaps his problem is on a deeper level.

JONATHAN: Of course, = Carson.=20 (JONATHAN crosses back, sits down)

CARSON (turning to = the=20 thoroughly nettled KEITH): Now, Keith, and this is very = important,=20 are you a rationalist?

KEITH (again = puzzled): Well, I=20 =96 I, that's a very difficult...

CARSON: Come, come, = do you hold=20 reason as your absolute?

KEITH: Well, yes, but = I =96 that=20 depends on how you define rationalism. I would think... =

JONATHAN (bounding = up, tossing=20 his long hair aloft, and pacing up and down): A rationalist = is a man=20 who lives exclusively by his reason, which means: by the = power of=20 his mind to grasp reality, which means: by the power of his = mind to=20 think, which means: by his own power to think, which = means...=20

CARSON: Wait, = Jonathan.=20 (Jonathan stops pacing, sits dawn again.) Well, Keith are = you a=20 rationalist?

KEITH: Well, I = approve of=20 reason, and =96 and thinking, of course, but I'm not quite = sure=20 what...

CARSON (temper = rising): Mr.=20 Hackley, we are being very patient with you because we = extend every=20 courtesy and every leeway to a lover of The Brow of = Zeus. Let=20 me put it this way: are you a mystic? (This question snapped = out=20 with flashing eyes, hatred in voice.)

KEITH: A mystic? Why = no, I=20 don't believe in this Zen Buddhist business, or... =

CARSON (squirming = with=20 indignation): Oh! Really, Keith, I am trying to hold a = serious=20 conversation with you.

KEITH: Well, yes, = but...=20

CARSON: Please give = the=20 courtesy of not interrupting me in the middle of a thought.=20

KEITH: I'm sorry, = I...=20

CARSON: Surely, you = must=20 realize I'm not talking about the twisted, leprous Asiatic = bum=20 sitting somewhere on a diaper =96 that's only the most = obvious, the=20 most blatant kind of mystic.

KEITH: I know; Los = Angeles is=20 full of queer...

JONATHAN: Mr. = Hackley, why do=20 you persist, again and again, in conscious and deliberate = evasion of=20 Miss Sand's frank and open questions? We both know you're = running=20 like hell.

KEITH: Look here, I = don't know=20 what you're talk...

CARSON: Keith, to put = it=20 simply, a mystic is someone who allows something else to = come=20 between his reason and his reality, who places something = higher than=20 his reason. Do you see?

(There is an = uncomfortable=20 pause.)

GEORGE (softly, = lifting his=20 head a bit from the sofa at right): Are you religious, = Keith?=20

KEITH (casting a = grateful=20 glance in George's direction): Oh, am I religious? I see =96 = well, not=20 terribly. I go to church twice a year, Christmas and Easter, = you=20 know =96 but religion plays a very small part in my life. =

The silence now is = deeper,=20 more ominous. A hissing sound comes from GRETA's = direction.=20

GRETA: Only twice a = year, he=20 says.

(GRETA turns to=20 JONATHAN)

GRETA: You know where = that=20 comes from...

JONATHAN: Of course. = There's a=20 passage on Page 236, Paragraph 2 of Zeus that = explains this=20 syndrome perfectly.

GRETA: Yes. And = notice how he=20 tries to curry favor with us and with the mystics. =

JONATHAN: Of course.=20

KEITH: Look here, I = didn't know=20 that you people felt so bitterly about religion.

CARSON: Keith, our = feelings do=20 not count here at all. Our reason tells us that religion is = evil.=20

JONATHAN (bounding up = and=20 pacing): Religion is evil, which means anti-mind, which = means=20 anti-life, which means anti-reason, which means = anti-reality. (He=20 resumes his seat.)

CARSON (looking = fondly at=20 JONATHAN): Well done, comrade.

KEITH: Well, look, I = told you=20 that I don't take religion very seriously.

(The pause that = now settles=20 over the room is deathly.)

CARSON (explodes, = agitated. She=20 leaps up): My God, we are talking about life and death = matters and=20 he doesn't... Oh!! (CARSON sinks back on the chair, covering = her=20 head in fury.)

GRETA (in voice of = low menace):=20 Mr. Hackley, do you take anything seriously?

(Another long = pause.)=20

(KEITH starts to = get up to=20 leave. CARSON summons up the last reserves of her patience = and stops=20 him.)

CARSON: Wait, Mr. = Hackley,=20 perhaps we can approach your problem through aesthetics. = What=20 composers do you like, for example?

KEITH (sinks back, a = bit=20 relieved, feeling erroneously on safer ground.): Well, the = usual,=20 you know. I'm not much of a musician...

CARSON (quickly): = That's all=20 right. That doesn't matter. Your taste reveals your musical=20 premises.

KEITH (puzzled): Oh? = Well, I=20 like Beethoven, Bach, Mozart, the standard . . .

GRETA: Oh! =

CARSON: Keith, how = could you?=20 I, who know the depth of depravity to which most men sink, = even I=20 have to ask myself, how can they? Beethoven, Mozart, who = reek of=20 naturalism, whose whole work tramples on values, whose every = note=20 displays the malevolent universe premise.

KEITH (stunned): = Malev...?=20

CARSON: Oh, Keith, = can't you=20 see the hatred of life in every bar of their music? =

JONATHAN: Mr. = Hackley, you told=20 Carson in your letter that you liked The Brow of Zeus = because=20 it opposes collectivism and totalitarianism.

KEITH (lights up): = Yes, yes,=20 exactly. I...

JONATHAN: Well, how = in the name=20 of reason can't you see that a composer like Mozart, on the=20 malevolent universe premise, is on the same premise as the=20 collectivists that you claim to despise? They are all part = of the=20 anti-mind, anti-life Enemy.

KEITH (stunned = again): Are-are=20 you saying that Mo-Mozart was a collectivist?

CARSON: Oh, not in = that very=20 primitive kind of way. But the system of premises = interconnect, on a=20 deeper, and therefore on a more important level. Do you see? =

(KEITH, more and = more=20 convinced that he must get out of this place quickly, starts = to get=20 up again.)

(GEORGE KELLY sits = up,=20 intercepts him in a kindly tone.)

GEORGE: Keith, we = always ask=20 every new person we meet who is his favorite character in = The=20 Brow of Zeus. Who was yours?

KEITH: Oh, I liked = Joey=20 Fontana.

CARSON, GRETA, = JONATHAN (in=20 unison): Joey Fontana!!!

KEITH: Yes, why? =

CARSON (under tight = control):=20 Why did you prefer him, Keith?

KEITH: Well, he was = on the good=20 side, for freedom, and he was a nice, bright, good-natured, = amiable=20 fellow.

CARSON: Ohhhh!! ( = Unable to=20 stand the proceedings any longer, CARSON rushes up, runs = offstage at=20 right.)

GRETA (in tone of = deadly=20 menace): Joey Fontana! The very image of the nice, = third-rate,=20 common man. And you picked him over a hero like Kyle Crane = or=20 Sebastian del Rey!

KEITH: Well, they = were all=20 right; they just seemed a bit wooden and one-dimensional to = me.=20 They...

JONATHAN (bounds to = his feet,=20 comes to center and declaims at KEITH): Enough! Keith = Hackley, you=20 have had the rare privilege of spending an evening with the = greatest=20 minds you can ever hope to meet: Carson Sand, Greta = Landsdowne, and=20 myself. And above all you have met Carson Sand, the = greatest, the=20 most original mind of our time and of all times, the = greatest human=20 being who has ever lived or shall live. And how have you = treated=20 this privilege? Above all, how have you treated Carson Sand? = I have=20 sat here while you have committed a series of irrational,=20 unforgivable sins against Carson Sand. You interrupted her=20 continually, hardly giving her a chance to speak; you openly = evaded=20 every question which Carson or I put to you. You have tried = to=20 kowtow to us and to the mystics, to us and to Mozart, to us = and to=20 all the depravities of our society.

You=20 criticized, instead of asking questions. You mocked like a = hooligan,=20 instead of showing proper reverence. And to whom? To this = woman who=20 has brought to the world the knowledge that A is A, and that = 2 and 2=20 equal 4. And finally, after your rudeness had driven this = woman with=20 the patience of Job from this room, you capped your crimes = by saying=20 that your favorite character is Joey Fontana, the mediocre, = the nice=20 guy (with absolute contempt), the second-hander. = Thereby,=20 Keith Hackley, you damned yourself forevermore. You have = made your=20 choice, Keith Hackley, and therefore you leave me with but = one=20 alternative: to demand that you leave this house never to = return.=20

(KEITH staggers = up, pale,=20 shaken. Goes to the door. There, GEORGE KELLY comes over to = hand=20 Keith his hat and coat.)

KEITH: Mr. Kelly, = forgive me,=20 but you seem like a nice fellow. How can you stand all this? =

GEORGE (softly): Oh, = this sort=20 of thing goes on almost every night. You get used to it. =

KEITH: But how can = you...?=20

GEORGE: Oh, after a = few years=20 you get to overlook it. You take it easy, you sleep on the = couch,=20 say "Yes" once in a while. Hell, it's a living.

Curtain falls. =

THE=20 END

Murray N. Rothbard = (1926=961995), the founder of modern libertarianism and the = dean of=20 the Austrian School of economics, was the author of T= he=20 Ethics of Liberty and For=20 a New Liberty and many other books = and=20 articles. He was also academic vice president of the = Ludwig von=20 Mises Institute and the Center for Libertarian Studies, and = the=20 editor =96 with Lew Rockwell =96 of The=20 Rothbard-Rockwell Report.

Murray = Rothbard=20 Archives

=20

Back to LewRockwell.com Home=20 Page

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A Morality Play In One = Act